Add to ORKGThe actor is a man who can give the impression of a life which is not his. Such as in a painting, where colors make it live, the actor through his own body seems to be animated as well. Starting from Denis Diderot's and Gotthold Ephraim Lessing's work, I will discuss the nature of this “anima”: the way between flying ideas and concrete body on stage. The main objective for understanding this particular move will be to know the following aspects[1]: In which spatio-temporal framework does it exist? Does it require an expert to understand drama? Can it be linked to a space and/or time research? Does this particular control of his senses owned by the actor involve a singular link to time and space? [1] Cet article a déj&agr...
This article proposes to examine extra-sensorial tendencies in the theatre, the (third) eye that loo...
It is the inspiration that encourages us essentially to speech. But, is the man, before the act of w...
Soundscape noticed to discretion. Hearing is a solitary experience whose potential refinement remain...
The Paradoxe sur le comédien describes the art of acting as an exercise of multiplicity. According t...
Although it plunges the viewer into a more or less familiar world, contemporary theatre at times emp...
Can we say that the 18th century philosophe Denis Diderot and his theses of theatrical aesthetics ar...
This paper is the testimony of an artist, a director, on the importance of the senses in the directi...
Diderot et Lessing participent au débat esthétique central du 18e siècle, celui de la notion d illus...
Diderot et Lessing participent au débat esthétique central du 18e siècle, celui de la notion d’illus...
Inspired by a news item that occurred in 2009 in Lyon, Ce que j’appelle oubli comes in a single sent...
14 pagesAs a cultural legacy of time immemorial, the theatre represents the ancestral form of play a...
As soon as the light inside the theatre fades (usually very slow, almost stealthily, in order to avo...
Passion, structure, and technique: these are the ‘colors’ that Diderot uses to ‘paint’ his opinions ...
Even in the face of theatrical performances that break with illusion, we sometimes find ourselves pl...
Le jeu constitue un aspect essentiel du théâtre. En partant de la définition que lui donne Roger Cai...
This article proposes to examine extra-sensorial tendencies in the theatre, the (third) eye that loo...
It is the inspiration that encourages us essentially to speech. But, is the man, before the act of w...
Soundscape noticed to discretion. Hearing is a solitary experience whose potential refinement remain...
The Paradoxe sur le comédien describes the art of acting as an exercise of multiplicity. According t...
Although it plunges the viewer into a more or less familiar world, contemporary theatre at times emp...
Can we say that the 18th century philosophe Denis Diderot and his theses of theatrical aesthetics ar...
This paper is the testimony of an artist, a director, on the importance of the senses in the directi...
Diderot et Lessing participent au débat esthétique central du 18e siècle, celui de la notion d illus...
Diderot et Lessing participent au débat esthétique central du 18e siècle, celui de la notion d’illus...
Inspired by a news item that occurred in 2009 in Lyon, Ce que j’appelle oubli comes in a single sent...
14 pagesAs a cultural legacy of time immemorial, the theatre represents the ancestral form of play a...
As soon as the light inside the theatre fades (usually very slow, almost stealthily, in order to avo...
Passion, structure, and technique: these are the ‘colors’ that Diderot uses to ‘paint’ his opinions ...
Even in the face of theatrical performances that break with illusion, we sometimes find ourselves pl...
Le jeu constitue un aspect essentiel du théâtre. En partant de la définition que lui donne Roger Cai...
This article proposes to examine extra-sensorial tendencies in the theatre, the (third) eye that loo...
It is the inspiration that encourages us essentially to speech. But, is the man, before the act of w...
Soundscape noticed to discretion. Hearing is a solitary experience whose potential refinement remain...